![]() ![]() Women were dominating the country music charts, however their success was not solely due to their music. Shania Twain was the face of the Country Pop movement throughout the 90s. However, with the more sophisticated production techniques used in Nashville, the sub genre of Country Pop was born.Ĭountry Pop wa s a sub genre that was dominated by women who were “searching for personal fulfillment and independence” (Neal). In the mid to late 1980s there was a movement to bring country music back to its simplistic sounds and roots. Around the same time, The Bakersfield sound was introduced in order to compete with The Nashville Sound. Nashville then became home to country music and country music production, leading to the rise of Country Pop. The Nashville Sound was an integral part in the development of the popularity of Nashville. This lead to the mass consumption of country music, instead of production solely for authentic listeners, a hybridization of country music. The connection with mainstream sounds allowed country artists to crossover into the pop genre. All Music’s article attributes rockabilly music with the connection between country music to mainstream sounds. The genre was changing in all aspects of the music, from the instrumentation, to the lyrics, to the overall look of the artists. Country Pop was said to be “far younger, sexier, and more glamorous than ever before” (Neal). There was a shift in country music that was occurring between New Country music and Country Pop. Some crossovers also incorporate delay, to provide time‑alignment of the drivers, and sometimes also phase correction. Most also incorporate protective limiting circuitry.In the late 1990s Country Pop became popular due to the combination of country and pop sounds. The shape of the filter cutoffs is important in matching the characteristics and dispersions of the drive units properly, and can vary from first order (6dB/octave) slopes up to fourth order (24dB/octave) or higher. The advantage of active crossovers is that they are more versatile, easier to adjust, potentially more accurate, and often cheaper to build than passive designs - especially for three‑way and four‑way systems. This kind of arrangement is commonly used in active studio monitors and most big PA speaker systems these days. In this situation, the active crossover outputs feed band‑limited signals to separate power amplifiers, and the outputs of the amplifiers are connected directly to their respective drive units. Increasingly, though, many crossover designs are active, which means that they are designed to work on line‑level signals and are used to feed multiple power amplifiers instead of working on the amplified signal itself. This kind of arrangement is still very common in passive domestic hi‑fi speakers. The crossover filter outputs then feed the corresponding speaker drive units directly. Some crossover designs are 'passive' and are generally intended to handle the powerful full‑range output signal from a power amplifier. More complex systems might add one or more band‑pass filters, extracting a range of mid‑frequency signals to feed one or more mid‑range driver(s). The high‑pass filter only lets high‑frequency signals (for example, above 2kHz) through to feed the tweeter. The low‑pass filter only allows signals below a certain frequency (for example, below 2kHz) through to drive the mid‑range driver/woofer of a two‑way speaker system. The idea is to present each loudspeaker drive unit with only the range of signal frequencies it can handle safely and effectively, while simultaneously helping the various loudspeaker drivers to integrate effectively, to create an overall sound stage. SOS Technical Editor Hugh Robjohns replies: A crossover is a set of filters designed to split the audio signal into two or more separate audio bands.Īt its simplest, there will be two filters: a low‑pass and a high‑pass (also see the previous question, which explains filters in more detail). I've read stuff on the Internet, but that has just confused me more!Ĭrossovers use filtering to ensure that the monitor's drivers only receive the audio signals that they are designed to handle. I get the general idea of what they do but don't know how they do it. I'm doing an assignment that involves a section on crossovers. ![]()
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